Monthly Archives: November 2014

It’s all about the Monet

Paris is essentially one massive open air Art Gallery. A canvas that is always changing, through the seasons and the lively interaction between its residents and its dramatic buildings. There are a copious amount of galleries, studio space and lofts to stumble upon. Artists showcase work to which expectant thousands look for their supply of creative pabulum. There are also established galleries that are world renowned.

The Musee de l’Orangerie is one such place. A vestibule designed by Monet to craft a space between the hustle and bustle of the city and his works.

musee de l'orangerie. buildingThe pieces that capture his signature water lilies were essentially his gift to France. On stepping through the doors, you receive an open invitation into a haven of peace.

Stillness!

Monet stated his mission in 1909,

Nerves strained by work would relax in its presence, following the restful example of its stagnant waters, and for he who would live in it, this room would offer a refuge for peaceful meditation in the midst of a flowering aquarium.

Nature provided the source of inspiration, it was the painter’s own ‘water garden’ in Giverny, Normandy. He yearned to try to recreate on bold canvascapes the changing qualities of natural light in his garden. He continued to busy himself on the pieces until his death in 1926.

Monet in his gardenDrifting through the two rooms, scan your retina over the eight panels and it evokes the passing from sunrise to sunset. It is as if the very elements, water, air, sky and earth are merging. The composition drowns the viewer.

The seats in the middle of the viewing space are a necessity as you need to perch for a moment to take in all of the beauty detailed. Shades of purple, iridescent blue, like you have been dropped in the middle of a lagoon. It is quite breath-taking!

Musee de l'orangerieSo when next in Paris, I recommend visiting Monet’s achievement.

The illusion of an endless whole of water without horizon and without shore,

as he so aptly put it. Let the waters wash over you. Drown your eyes in the stillness, a brief respite from the speedy world we live in.

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Sleeping with the Dead

After alighting at the Metro station Gambetta, I walked through a hill garden to gain entrance to the cemetery. Along one of the walls there was a figurine with arms spread out, pushing back the wall, faces surreptitiously appearing, almost fading away. Keeping the souls encased.

Cemetery Figure

An old phrase my Nan used to say came immediately to the forefront of my mind,

You should never fear the dead, it’s the living you should be afraid of.

I’d bought four blue iris flowers with a lick of yellow in the centre, a fragrant tongue. The rain came down forever, wet arrows bouncing off my grey wool suit. I walked through a narrow entrance in the wall and was totally mesmerised. Death done with panache. Gothic miniature chapels. Stone crafted sculptures. Ancient tree trunks with branches dramatically stabbing the sky. A calm within the core of the City of Light.

Cemetery shrines

The graves were so decrepit and battered by the ages that at times I had to remind myself that these were authentic graves and not fabricated. Four ravens appeared and for a moment I’d assumed I was really in Universal Studios, Florida and not the 20th Arondissement in France’s Capital City.

Oscar Wilde 2

Oscar Wilde’s grave had an Egyptian-like quality, a mini shrine. The tomb had been encased in glass, as admirers had for years glazed it with lipstick. This had not prohibited the ritual. For all over the surface, lipstick-stained kisses re-decorated it. One bold visitor had even puckered a smooch onto the lips of the Sphinx’s head. I placed the flowers on an arm-like ledge and waited for a moment. The rain, birds and stillness added to the atmosphere.

Thinking about the roll call of people buried in this site, I thought imagine what it would be like when the gates are locked at the end of the day. Sleeping with the dead, the site of numerous French luminaries – writers, artists and musicians:

Moliere
Marie Callas
Sarah Bernhardt
Isadora Duncan
Amedeo Modigliani
Edith Piaf
Gertrude Stein
Oscar Wilde
Colette
Frederic Chopin
Eugene Delacroix
Max Ernst
Jim Morrison
Marcel Proust
Marcel Marceau

Imagine the party the spirits could have. Now that would be one big Bohemian Kiki indeed! I guess in the way a Catholic pays homage to their faith by going on a pilgrimage to Rome, a pagan to Stonehenge, a writer or lover of the written word chooses to show their respects to the literary gods.

Cemetery sculpture

Later on in the evening, I danced like an idiot in the Marais. I thought about how laid back the attitude is in Paris. As I saw my sister in the midst of a cluster of bald, bearded bears, an adult version of Goldilocks and the Three Bears, perhaps, it made me smile and I said inwardly, ‘Thanks, Oscar!’

Cemetery Panoramic

Pere Lachaise Cemetery is the largest in Paris (44 hectares/110 acres). It was the first garden cemetery in the capital and contains 3 World War Murals. It opened on 21st May 1804.

Photographs courtesy of Liam Maguire

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The happy insanity of John Waters

Last year I decided to mark 9 November with a new holiday Trashaday, in honour of the granddaddy of trash, Mr. John Waters. On this date, I had the pleasure of attending a screening of possibly the worst ever art house film ever made, BOOM!  A film adaptation of a play by Tennessee Williams. This cinematic treat for the eye stars Elizabeth Taylor and Richard Burton, camping it up on a desolate island. The screening was part of the internationally acclaimed festival Homotopia and was followed by a question and answer masterclass with the director of trash classics, Hairspray, Pink Flamingos and Cecil B. Demented.

I vowed on that day to celebrate the work of this cult genius on a yearly basis and call the day Trashaday. I contemplated hosting a bad taste beauty pageant here in Liverpool this year. A distinctive award for ‘Scally/Scouse girl of the year’ would see girls with hair in curlers, eyelashes like tree branches, layered with mascara and orange face foundation – that would look more fitting on an Oompa Loompa – compete for a trophy. I could also screen one of the many bad taste films in Waters’ back catalogue. Although I would draw the line at recreating the infamous dog poop scene in Pink Flamingos.

Finally I decided to start the day by watching a most disturbing self-help film presented by Dame Angela Lansbury. This may be the stuff of nightmares but it is rich in trash.

I then chose to try to get into the man’s head by dipping into his latest book Carsick. I had read and enjoyed his previous zany scribblings, Role Models and Crackpot. His recent work chronicles a hitchhike from Baltimore to San Francisco. You see the world through the creative insane perspective of JW. A journey into the sublime, with a cast of characters, straight from his screenscape, filthy, trashy, kooky individuals.

CarsickI decided to accompany our hero on his odyssey from the safety of my reading chair. I felt the pain of being stuck hitchhiking in torrential rain, despite knowing that I was only a few seconds away from a strong cup of black coffee.

Carsick-not-psychoHe treks armed with a sign made out of a piece of cardboard with his destination emblazoned and on the reverse,

I’m not psycho

His descriptions of his hike are darkly comic and some of the simplicity in the writing is effective, the heat of the sun is described as ‘the ball of hell’. There is an undercurrent of social satire, railing against the modern world, in all its commercial, fast-paced humdrum sameness. A standout favourite for me was his participation in a modern-day freak show, an alternative cirque du soleil, as a man without tattoos. Before the show, he is petrified at getting naked in his sixties and is advised,

The audience won’t be criticizing your body-they will just be amazed to see you don’t have tattoos in this day and age. You’ll be a triumph.

He also encounters a female sex-fiend desperate to make love to him,

It’s a little late in my life to come in.

Waters is an avid reader, a self-confessed bibliophile. Whilst reading this odyssey I found myself empathising with the comments he made in last year’s lecture,

It wasn’t until I started reading and found books they wouldn’t let us read in school that I discovered you could be insane and happy and have a good life without being like everybody else.

I recommend this book to all those people who yearn to be insane and happy. It is essential reading!

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‘We need more work for and by women’ – an interview with Margaret Connell of Lantern Theatre Liverpool

Two best friends, two sons in the army, both serving in Afghanistan. Maggie and Rita were like sisters, until Rita’s son James was killed saving Maggie’s son Paul. An intense, emotionally charged play that illustrates that, in war, it is not only the soldier who has nightmares.

Poster for the play Broken Biscuits by Trisha DuffyThe work is an exploration of friendship and all the qualities that lie dormant behind the laughter, the jealousy, bitterness, loyalty and absolute admiration. The intimate Lantern theatre is an ideal space for this well-scripted piece, for the audience is positioned up close to the dramatic tornado.

Broken Biscuits has already been staged twice at the venue to packed audiences. It makes a welcome return to mark Remembrance weekend. ten minutes hate caught up with the play’s director and artistic director of the Lantern, Margaret Connell.

Artistic Director of the Lantern Theatre and Director of Broken Biscuits, Margaret Connell10mh: What attracted you to directing this piece?

I loved the dialogue, it really rang true and that can’t be said of all new work.  I also liked the fact that it was written by a woman.  We need more work for and by women.

10mh: How did you discover the script?

Trisha Duffy came on our ambassador scheme as she had an interest in writing and helped set up our writer development programme.  She asked me to give her an opinion on the script, I really liked it and offered to produce and direct it as a Lantern project.

10mh: What kind of things did you do in rehearsal?

It was an incredibly short rehearsal period so we worked through the script chronologically and blocked and learned it a chunk at a time. The hardest thing, because of the staging, was getting the actresses not to look at each other and imagine they were speaking through a door.

Thankfully I had a really great cast who worked together really well; it was a joy to work on and didn’t feel like work at all.

10mh: Is there any future plan to stage the play again in the future?

After the Remembrance Sunday dates we are looking at different festivals, but definitely Edinburgh.

10mh: Do you have a phrase or lines from a piece of poetry about war that you like?

The first line of Owen’s Futility: ‘Move him into the sun’ is the one that sticks with me.  It’s heartbreakingly loaded.

10mh: What advice would you give to new directors?

See as much theatre as you can and work with as many different directors as you can.  Trust the creative process.  The first day with a script can be terrifying, but you need to remember that your actors are your strongest asset and if you have cast well, you should all spark off each other.

Broken Biscuits will be staged at Lantern Liverpool, 9th November-11th November

Remembrance Sunday picture

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