I love Pantomime – it is awful but fantastic at the same time, if that makes any sense – but if looking for an alternative this break, perhaps these two theatrical treats may tempt you.
First, The Frozen Scream is a collaboration between the Wales Millennium Centre and Birmingham Hippodrome. The Welsh performances are over but it will run in Birmingham in January. The piece is co-written by Christopher Green and Sarah Waters, adapted from a tale by CC Gilbert.
I was fortunate to catch this production in late December. The proviso was to wrap up warm and wear sensible shoes. The hardest part of having seen this production is that I cannot really say too much about it, I now do not want to spoil the enjoyment, so I cannot reveal its secrets. My lips must remain frozen!
All I can say is it is camp and self-aware, a chilling evening’s entertainment. It is an experience that I would highly recommend. A beautiful glacial ornament, I hope remains frozen and complete in the memory box of my mind. Beware the Ice!
The second alternative is back on my home territory of Liverpool: Rumpelstiltskin.
The Unity at Xmas never fails to impress. Through the years, a festive trip with my niece and nephews has become part of our annual yuletide celebration. Indeed, I buy tickets in lieu of toys or the latest fad. Funnily enough, experiences can sometimes be more enjoyable than fancy dressed festive wrapped gifts.
The Red Shoes, The Pied Piper, The Snow Queen, Hansel and Gretel, and traditional tales that are timeless and severely dark. I encourage anyone who has not read Grimm’s Fairy Tales to do so. At times they are shocking in their brutality. With this year’s offering, there is a simple set of hay that is used to create props, furniture, even a castle turret. The abolishment of the fourth wall means the audience are involved with the action at all times, with one kid even playing the part of a Bishop and marrying the King and Queen.
Rumpelstiltskin, a dark fairy tale that spins theatrical gold. A piece of real theatre, fabulous cast, fabulous set, fabulous lighting and an excellent score. I normally have an aversion to singing kids’ stuff, Frozen, well, freezes me… but the opener of the second act was magnificent, like a Grimm Brothers version of Cabaret. My three-year-old nephew’s first trip to the theatre and he was mesmerised. Result!
If these two dynamic productions do not appeal to you, there is always pantomime…
Oh no, there isn’t!