Tag Archives: Unbound

Lily Poole by Jack O’Donnell

How much is too much to spend on a book? As with so much in life, George Orwell has already considered and quantified the answer for you. That said, I imagine the ideal price of a book is different for all of us and, while I love picking up the out-of-copyright classics and browsing through the 99p list on Amazon, for me – for a new-ish book I have a real hankering to read – the sweet spot is around a fiver. Perhaps it is a relic of all those book tokens I used to get for birthdays and Christmases.

So how much would you spend for a book that hasn’t been written or printed yet? Unbound is a concept akin to Kickstarter, for both established and new authors who are seeking funding for new works of fiction or non-fiction. They have already created a bit of a splash with their backing of Paul Kingsnorth’s Man Booker Prize-longlisted The Wake. For the readers, it is about becoming more than a consumer, being a talent-spotter perhaps, or paying it forward. You may even gain the opportunity to name a character…

And for the writers? As Miranda Ward writes in her Unbound-published and utterly brilliant book F**k The Radio, We’ve Got Apple Juice:

This whole idea is fundamentally about sustaining yourself, as a creative type, so that you can create more. Ultimately, it’s always about the creative output, and the act of creating, not about the money, the money is simply what allows that process of creation to occur unfettered.

Of course, to be successful at this you need to – let’s be real, here – milk your contacts list for all its worth. You need benefactors, patrons and preferably rich ones, as every Renaissance artist knew. Or you need your idea to resonate with many, many people, so that they see fit to bung you a tenner. In these straitened times, that’s no mean feat. But if anyone is worthy of a portion of your hard-earned, it’s ABCtales writer Jack O’Donnell.

Jack

His novel-to-be Lily Poole, ‘a ghost story without a ghost’, is currently at 47% with an array of different pledge rewards available. Here is the pitch:

Lily Poole breaks the mould of horror fiction to ask serious and urgent questions about society and psychology, and does it while telling a gripping story about murder and deception, about Scotland and mental health, and about love and family.

There’s also an excerpt from the book available on the pledging page and I am sure it will whet your appetite for more. Which will be forthcoming, if enough of us stick some cash in the hat. Articles on the future of books and publishing are often full of doom and gloom, and who knows where things will eventually end. I wouldn’t want to venture any predictions. Other than to say that Unbound offers an alternative, a chance to discover books from outside mainstream publishing – such as their recent ‘Women in Print’ initiative – and to follow them from idea to realisation. How could any book lover resist?

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A year in books – 2014 – J. C. Greenway

Like my good pal, Mr Maguire, I have taken a more systematic approach to reading this year by making a reading plan. It wasn’t too exact, reckoning on two books a month and allowing for other discoveries by only planning for 10 months instead of 12. It sounds unbelievably dull, but as it paid off in an extra 15 books read this year, it might become a permanent feature! Access to free, out of copyright downloads means that I read more ebooks this year. They are just too convenient to avoid these days, however strong the preference for the turning of an actual page.

stack-of-booksWhile putting this plan down on paper, I decided that I wanted to read more from outside the ‘dead, white, European male’ perspective which so often makes up my reading. As this year started as the last ended, with a whole bunch of classy spy novels, this wasn’t altogether successful, but the effort will continue when planning next year’s books. I also want to read more works in translation, to disprove that theory that English-speaking readers won’t touch such books. Also this year I was lucky enough to get an offer of free downloads from the website Unbound, which introduced me to many new writers as well as a new way of publishing books.

Here is my list of books read in 2014, with links to reviews written along the way, as well as some further thoughts following. In chronological order, I read this year:

  1. Mike and Psmith, P. G. Wodehouse
  2. Psmith in the City, P. G. Wodehouse
  3. Crying Just Like Anybody: A Fiction Desk Anthology
  4. A Murder of Quality, John le Carré
  5. The Looking Glass War, John le Carré
  6. My Name Is Loco and I am a Racist, Baye McNeil
  7. Narrative of the Life of Frederick Douglass
  8. The Picture of Dorian Gray, Oscar Wilde
  9. Under Fire, Henri Barbusse
  10. Piggy Monk Square, Grace Jolliffe
  11. Down the Figure 7, Trevor Hoyle
  12. These Turbulent Times, Paul Tomkins
  13. I’m The One, Miha Mazzini (short story)
  14. A Game With Sharpened Knives, Neil Belton
  15. The Little Prince, Antoine de Saint-Exupéry
  16. Burmese Days, George Orwell
  17. Jew Boy, Simon Blumenfeld
  18. The Interpreters, Ben Anderson
  19. A Man Without a Country, Kurt Vonnegut
  20. The Road Home, Rose Tremain
  21. Our Game, John le Carré
  22. The Summing Up, W. Somerset Maugham
  23. Keep the Aspidistra Flying, George Orwell
  24. The Lighthouse, Alison Moore
  25. The Wake, Paul Kingsnorth
  26. A Spy Among Friends: Kim Philby and the Great Betrayal, Ben Macintyre
  27. Swimming Home, Deborah Levy
  28. Elephant Moon, John Sweeney
  29. Salt & Old Vines, Richard W. H. Bray
  30. F**k The Radio, We’ve Got Apple Juice, Miranda Ward
  31. Cause for Alarm, Eric Ambler
  32. The Honourable Schoolboy, John le Carré
  33. Wigs on the Green, Nancy Mitford
  34. The Sweetest Dream, Doris Lessing
  35. Coming Up For Air, George Orwell
  36. Conversations With Spirits, E. O. Higgins
  37. Empire of the Sun, J. G. Ballard
  38. Snows of Kilimanjaro, Ernest Hemingway

Looking at my list, it seems that I didn’t do too well at #readwomen2014, with just seven women appearing. The inter-war period still seems to be my favourite, with 14 books either being written or set in the Twenties and Thirties. It is going to take a more concerted effort next year to break away from the old, dead, European men.

Some highlights this year were set very close to home, with Piggy Monk Square by Grace Jolliffe and Trevor Hoyle’s Down The Figure 7 offering two completely different perspectives on growing up in the North of England. Jew Boy by Simon Blumenfeld contrasted with and provoked thought as well as Orwell’s Keep The Aspidistra Flying.

Spy novels remain a pleasure, so it was engrossing to pick up Ben Macintyre’s tale of the real-life mole in our midst, Kim Philby. Miranda Ward’s book – part manifesto, part memoir – of making it or not in the music and other creative industries prompted much highlighting and scribbling in notebooks. Conversations With Spirits by E.O. Higgins was a triumph, taking on spiritualism and the creator of Sherlock Holmes, it should be read by all.

Despite its World War II setting, nods to Orwell and plucky heroine, I couldn’t warm to Elephant Moon by John Sweeney. It had all the right ingredients and should have been a cracking tale, but felt far too slow to me. Alison Moore’s The Lighthouse is undoubtably the work of a skilled writer, but I disliked her characters so much it was difficult to spend time with them.

When it comes to picking a best book of the year, there really is only one candidate. Paul Kingsnorth’s The Wake was unlike anything else, written in an edited version of Old English and rewarding the dedicated reader with a finely woven and masterfully rendered story. Language and narrative both perfectly combined. The writer announced that this is planned to be the first of a trilogy, which is very happy news and something to look forward to placing on a future list.

So, how about you? How did you get on and which were your favourite reads of the year?

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