Tag Archives: William Roscoe

‘Cheeky bum cheeks’

That was the first thing I remember about the John Moores Painting Prize. It was also the first time I saw Hockney’s portrait of a man emerging from a poolside, Peter Getting Out of Nick’s Pool, in the collection of previous winners. The rush of the blue flooded over my retina imprinting its memory on the canvas of my cranium. In my years of teenage wildlife, I’ve been visiting ever since.

David-Hockney-Peter-Getting-Out-of-Nicks-Pool-1966-Acrylic-on-Canvas-84-x-84-c-David-HockneyRecently, an early Sunday morning in October 2014. Town was littered from the previous night’s disorder. A carton of mushy peas and a blonde discarded fascinator lay on the pebbled courtyard, debris from a battle in a nightclub. I thought perhaps Saatchi may purchase it for his next happening.

88 CaloriesI love the Walker Gallery; it is a source of inspiration, William Roscoe’s collection of Medieval Paintings, Stubbs classics and one of my ultimate Pre-Raphaelite favourites, The Metamorphosis of Narcissus. This year’s selection for the John Moores Painting Prize is an impressive batch of real painters. From the meticulously crafted 88 Calories by Conor Nial Rogers – painted on a minute crisp packet – to the texture rich, 18.45 April 7th, 2011 by David Dawson that up close looks like cake, paint is layered on as thick as a Scouse girl’s make up on a Saturday night.

18.45 APRIL 7TH. 2011My favourite piece is The King of Infinite Space/Don’t Let Life Pass You by David O’Malley, I think as I have a passion for the work of David Bowie. I see the displaced astronaut as a Major Tom-like figure. Instead of swimming in a tin can, the space cadet is floating in a most peculiar way in front of garish bad taste wallpaper.

THE KING OF INFINITE SPACEDONÔÇÖT LET LIFE PASS YOUI also love the massive Vinculum by Juliette Losq, which looks like it has come straight out of a Victorian penny dreadful. This piece covers the span of an entire wall and the detail is stunning. I have often believed that an artist needs to refocus the viewer into seeing the beauty in the everyday and that is apparent in this collection of diverse work.

Juliette Losq VinculumThere are a few pieces in here though that I feel suffer from the Emperor’s New Clothes Syndrome, but this is an impressive gathering of creative souls. I’d also advocate for seeing the exhibition with a kid. For a child has that Huckleberry Finn quality of telling it how it is. I took my niece, the ginger minx, for I have always valued her perspective, sometimes over the experts. I took her to see a Sarah Lucas exhibition several years ago at the Tate and one piece was just a massive photograph of a spotty male bottom. Two art groupies stood in front of the piece pontificating with syntax laden with terminology and pomp. Not really sure what they themselves were saying.  The kid was three at the time and she looked up at the piece, looked at me, gazed at the two adults drooling over the masterpiece in front of them, she looked back at me and then pointed at the art and growled, ‘EEEEE!’ In one word she summed up the fact that this naked image was in fact gross.

The exhibition encourages people to vote on their favourite and submit it in a ballot box. She chose Homeland by Covadonga Valdes and on the card when asked why, wrote simply, ‘It is unusual.’

HomelandThe exhibition is on till the end of November, I have made several visits back in my lunch hour, it beats sitting at a desk, with a stale sandwich and internet glaze. Go and vote for your personal favourite and if you can, take your own little mini art critic. Remember those artists need you!

Details of the winners can be found here. The ‘Visitors’ Choice’ award will be presented towards the end of the exhibition. Visitors can vote for their favourite painting when they visit the gallery. The winner will receive a prize of £2014.

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William Roscoe, thank you!

On 8th March I did raise a glass for Mr. William R, Liverpool’s Renaissance man. A model citizen, a man of integrity, an authentic role model. Someone I wholeheartedly admire.

original botanic garden plans

Traditionally, on someone’s birthday, a gift is purchased to celebrate the occasion, to herald another year gone by. This year, I would like to do the reverse. To highlight the gifts that William Roscoe gave to his homestead, the City of Liverpool, during the course of his lifetime.

Long before Roald Dahl wrote The BFG for his granddaughter Sophie, in 1802 Roscoe wrote The Butterfly’s Ball and The Grasshopper’s Feast for his son, Robert. King George III liked it so much, he had the poem set to music.

butterfly ball

He was behind the creation of The Botanic Gardens. In 1797, he and a group of friends created a scholars’ library, the Liverpool Athenaeum. The club still houses a collection of Roscoe’s books.

athenaeum

Roscoe founded an Institute for Mechanics and Apprentices, which has today evolved into the thriving Liverpool John Moores University. Roscoe had the courage to denounce the African slave trade in his native town where, at that time, a significant amount of the wealth came from slavery.

What was in the local press on 8th March? Absolutely nothing! I affectionately call the local rag ‘The Misery Gazette’, as if it is not warning about imminent drug crimes or other news of negativity, then it’s reporting news stories about restaurants that were closed down for health reasons three years ago. It is something when the only interesting or even joyous part of a newspaper is its obituary section!

What do I do to pay homage to the man’s day of birth? I take a simple bunch of flowers, this year white roses, and I leave it at his modest memorial sandwiched next to a Tesco Express. As there are a minimum of 800 Tesco’s in the city centre, I will have to be a little bit more specific.

william roscoe burial

It is on Mount Pleasant and I say modest, because this is exactly what Roscoe would have wanted. Amongst the sprawling masses of Liverpool. In the very hub. Besides, he doesn’t really need an ostentatious memorial. The essence of his greatness lies in the achievements that are all around in the Pool of Life.

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Father of Liverpool culture’s voice continues to resonate in the Pool of Life

Another of our guest posts by John Maguire, whose biography of William Roscoe is due for publication in 2014

Liverpool John Moores University continues to champion the spirit of the esteemed father of Liverpool Culture, William Roscoe, via the 2013 Roscoe Lecture Series. These free lectures will recommence after the summer with the Mayor of Liverpool, Joe Anderson OBE discussing the challenges and opportunities facing Mayors and their cities, to be held in October at the Philharmonic Hall.

The esteemed talks have seen some of the country’s leading commentators join the people of Liverpool in discussing the issues that really matter to them. Speakers as diverse as writer Frank Cottrell Boyce, cosmologist Professor Martin Rees, the campaigner Esther Rantzen and his Holiness the Dalai Lama. To encourage an exchange of ideas, question and stimulate debate, to generate a deeper understanding in a time of increasing diversity and social change.

The lectures are named after the father of Liverpool Culture: William Roscoe. A man who helped transform 19th century society by campaigning against the evils of slavery. He had the guts to stand up and rail against the slave trade that had made the fortunes of many of his peers. Roscoe made a massive contribution to the Liverpool tapestry, he created the Liverpool Botanic Garden, formed the Liverpool Royal Institution and the Athenaeum Library.

William_Roscoe

The highlight of this season’s free lectures had to be the 107th Lecture, where Claire Tomalin was welcomed to muse on her latest literary offering, Charles Dickens: A Life.

Ms Tomalin passionately enthused on Dickens and illustrated many comparisons between Roscoe and the Great Victorian Novelist. The work of both illustrates a transformative manifesto for social change. Dickens’ father was constantly in and out of debt and the trauma and humiliation scarred his very being and indeed fired his furnace of ambition. Leaving school at fifteen he worked as an office boy in a law firm and took up shorthand, this skill led him to legal reporting and he could draft detailed reports which developed his reputation with the newspapers. The contacts he made in this industry would eventually lead to his sketches being published and creating such an impressive body of work.

Roscoe too left school at an early age, having learned all that his schoolmaster could teach. With a passion for education he began to read the classics. Alongside his work as a lawyer, he made acquaintance with the language and literature of Italy, which was to dominate his life. An aficionado of art, examples from his collection can be found in the Walker Art Gallery. His obsession led to writing a history of Lorenzo de Medici in 1796. Quite co-incidentally Claire Tomalin owns a first edition of this book!

The discussion touched on all the facets of Dickens’ character, including his love affair with the ‘Pool of Life’, which began when he sailed from the Mersey for the first time in 1842 for America. He wrote from the Adelphi to his sister on the ‘warmth and reception’ the Liverpool people had given him.

He had a lust for life and his pre-talk rider would often be a pint of sherry and a pint of Champagne. The ‘inimitable’ Bos would walk every day, writing typically till around 2pm and then perambulating around the Metropolis, stoking the fire of his creativity, orchestrating his plots and narratives. He famously declared in later life, when seized by gout, that he would explode if he could not work. His sheer mental and physical energy is illustrated in the fact that, alongside writing his novels and running a magazine, he would also steam through at least one hundred letters of correspondence a year.

Dickens’ regard for those on the edges of society went beyond mere research for his novels; he would often visit prisons and was genuinely interested in real people, far from the kind of staged concern adopted by many modern-day z-list celebrities and Hollywood royalty.

Indeed, the sheer opulence of the Liverpool architecture left Claire Tomalin ‘stunned’. However for a biographer writing about an author famed for his research and attention to detail – Dickens trained at Bridewell to be a special constable just so he could wander around the Liverpool docks later at night – it is almost bizarre that it was Tomalin’s first visit to the Hall, scene of Dickens’ legendary penny readings. Still, the theme of the evening, how Dickens turned himself by his own efforts into good order, delivered by a lady who clearly understood her subject and spoke about the man with passion was enough to brighten up a dull wet Wednesday evening

The Roscoe lecture series continue in forging the very fabric of this city’s greatness. As the man himself cited,

everything connected with intellect is permanent.

Thankfully the lecture series continues to be a permanent feature in the university.

All lectures are free but entrance is by ticket only. To reserve your tickets for next season, please contact LJMU’s Conference and Event Services team on 0151 231 3668 or email RoscoeLectures@ljmu.ac.uk

Picture by Rod Crosby at Wikimedia

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